Dancing Fairies
Inspired by Burgmüller’s 12 Etudes, Op. 105, No. 6.
A Musical Journey: From Childhood Memories to Fluttering Fairies 🧚♂️✨
Growing up with a mother who was a piano teacher, I was “dragged” to her student recitals almost every single year. 🎹 One year, she picked out a very special piece for me: Burgmüller’s 12 Etudes, Op. 105, No. 6.
I was only in sixth grade at the time, just beginning to navigate all those little “pre-teen” emotions. I remember that whenever I played that piece, it brought a sense of peace and satisfaction to my heart that I couldn’t quite put into words. ❤️🩹
As I grew older, I kept thinking about that melody and tried searching for the sheet music, but I could never find it! I had always assumed it was the work of a Japanese composer. 🇯🇵 It wasn’t until recently, when I happened to hear someone play a few familiar bars, that I realized I had been looking for the wrong person all these years! 🤔
I think the reason this piece is a bit obscure is that it really “eats” into your fundamental skills. 🎼 Those lightning-fast 16th notes require serious finger strength and agility; if your technique isn’t quite there, playing it feels as exhausting as climbing a massive mountain. 🏔️ Perhaps it’s because it’s so challenging that it managed to play “hide-and-seek” with me for so long.
Now that I’ve become a piano teacher myself, I really wanted to recapture that pure magic. 🌟 So, I sat down and composed a new piece, weaving the essence of that memory into the music. I used a Hanon-style 16th-note technique, specifically designing a fingering pattern with four consecutive repeated notes.
I’ve always had this image in my mind: these light, quick notes are like little fairies dancing through a forest—playful, graceful, and completely free! 🧚♀️✨ I hope this melody carries peace and joy into everyone’s hearts, using the power of music to brighten every corner. 🌈🎶
跳躍的精靈
中高級程度
音樂旅程：從兒時記憶，到指尖躍動的小精靈 🧚♂️✨
小時候因為媽媽是鋼琴老師，我幾乎每年都會被她「抓去」參加學生音樂會。🎹 有一年，媽幫我選了一首特別的曲子：布格繆勒《12首練習曲》Op. 105, No. 6。
那時候我才六年級，剛開始要面對人生，彈這首曲子的時候，心裡總有一種說不出的平靜跟滿足感。❤️🩹
後來長大了，我一直心心念念想找這份樂譜，卻怎麼找都找不著！我一直先入為主地覺得這一定是某位🇯🇵 日本作曲家的作品。直到最近，偶然聽到有人彈了那熟悉的幾小節，我才驚覺自己這麼多年來根本弄錯對象了！🤔
我想這首曲子之所以比較冷門，是因為它真的很需要基本功。🎼 那些飛快的十六分音符需要很強的指力跟靈活度，如果沒有練好技巧，彈起來就像在爬一座大山一樣吃力。🏔️ 或許就是因為它這麼有挑戰性，才會在我的生命裡「躲貓貓」躲了這麼久吧。
現在我也成了一名鋼琴老師，很想把當年那種純粹的魔力找回來。🌟 於是我自己動手寫了一首新作品，把那份記憶的精髓融入進去。我運用了哈農風格的十六分音符，設計了連續四個重複音的指法。
我的腦海裡一直有個畫面：這些輕快的音符，就像是在森林裡翩翩起舞的小精靈——頑皮、輕盈，而且自由自在！🧚♀️✨ 希望這份旋律能帶著平安跟喜悅，飛進每個人的心裡，用音樂的力量照亮每個角落。🌈🎶
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